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Filming for To Wong Foo, Thanks for Everything, Julie Newmar began in New
York City on July 7, 1994. Following three weeks of shooting in the Greater New York area,
the company moved to Loma, Nebraska for three months location work which formed the heart
of the film.

Director Beeban Kidron
on location in Loma, Nebraska
Production designer Wynn Thomas spent
three months canvassing 15 states in the eastern half of the country,
"auditioning" tiny towns to see which was best suited to play the role of
Snydersville. He was looking for a town which, according to Director Beeban Kidron,
"You could stand there in high heels and have absolutely no place you could go."
Producer G. Mac Brown, who accompanied Thomas on many of his travels, says that "the
landscape we were looking for was as important as the architecture. We needed a town that
looked completely isolated in the wide open spaces; one where the characters would truly
feel stranded. Most small towns are surrounded by trees that block the view of the
outlying landscape. To find an open landscape, where you can see for hundreds of miles in
all directions, but that is also within traveling distance of a hotel, is hard to do in
America today." Ultimately, the town of Loma, Nebraska (population 23) turned out to
be the perfect choice. Located thirty five miles northwest of Lincoln, and nestled on a
small plateau among rolling fields stretching out in every direction, the town was a
sleeping beauty. With no post office, no grocery store and no school, Loma is not even on
most maps. Yet the town still functions, nearly 100 years after its heyday at the turn of
the century, when its population was closer to 80.

Director Beeban Kidron on the Loma,
Nebraska set with John Leguizamo, Wesley Snipes and Patrick Swayze

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